THE LEAFY AVENUES of the posh part of Notting Hill
may seem an unlikely place to find a character like Pete Bums, but there's no mistaking
that you've come to the right front door. NEVER MIND THE DOG, says the sign, BEWARE OF THE
OWNER!
Inside, the place is decorated with stylish simplicity and taste - white walls, large
churchwindow-shaped mirrors, black leather furniture and leopard-skin carpet. The owner
himself looks great - sweeping in wearing a fabulous two-piece of grey jacket and long
skirt printed with a large-scale portrait of Garbo, and with a look pitched somewhere
between Cher and Elizabeth Taylor as Cleopatra. If not exactly mellow, this seems a
changed Pete Burns somehow less uptight, defensive, insecure.
But why are we here in such expensive surroundings? Isn't Pete Bums supposed to be a
washed-up disco has-been? And what's this business about a comeback - calling himself
International Chrysis, releasing a cover version of David Bowie's Rebel Rebel, and on PWL
of all labels? Isn't that a bit, well, desperate?
More of that later, but first a bit of history. Dead Or Alive's star waned in Britain with
a series of progressively less interesting albums. III-equipped to deal with the pressures
of sudden fame, and increasingly at odds with his record company Epic, Burns nevertheless
held a trump card - Japan. There, Dead Or Alive were astronomically popular, so much so
that even Michael Jackson had to put back the date for his Tokyo open-air concert to avoid
clashing with a Bums & Co show across the city.
However
disappointing to fans in Britain, the albums were Bums' ticket to Japan, where he could
command a cool 1£ million for just four shows. Despite the life of relative peace and
obscurity such money allowed him to lead back in Britain, Bums got bored playing to an
audience who might not get the point of what he was about. In an attempt to please the
record company, he took on new American managers and embarked on a US tour with backing
tapes and back-up dancers. Badly organised, the tour was an unmitigated disaster and Bums
grew to hate what Dead Or Alive -symbolised by the now-hated eye-patch - stood for.
The tour also gave Bums his first exposure to Aids on the American scale. All appearances
to the contrary, Pete Bums is actually a sensitive soul -never more so than on this issue.
His naïve attempts to help - first by giving his own earnings and then by recording a
bootleg of torch songs whose proceeds were to go to the sufferers - were abused or
frustrated, leaving Bums in greater distress.
The
cumulative effect of all this was to send Bums into, literally, an international crisis.
On the flight home, he developed disabling physical symptoms (feared at first to be
multiple sclerosis but later diagnosed as a nervous.' breakdown) followed by deep
depression "the darkest hole I've ever been in". The death of a friend from
AIDS, followed by that of his own mother, whom he had nursed through cancer, only made
matters worse.
Many
months later, Bums roused himself and slowly pulled himself back together again. With a
reserve of energy built up while his exhausted partners had struggled to cope, Burns now
turned into "a complete self-centred swine", moving out into a hotel, going out
to clubs, living the high life. There was even talk of divorce from his long-suffering
wife. |
Eventually Burns came back to earth and so the story arrives at the
present day. With exercise equipment and a gymnasium in the house, studies in nutrition
and other therapies under his belt, Pete Bums is a noticeably more relaxed and tolerant
individual.
"I'm in the process of shedding old skins," he enthuses. "The chip on my
shoulder is another one of them. I still get really grouchy, I can still say really bitchy
things and I chainsmoke, but I actually feel much better as a human being than I've ever
felt in my life. It's definitely changed my character and my view on things, I take things
a lot more lightly. If they'd asked me to do Pop Quiz a few years ago I'd have gone:
'What! How dare they?!!' Now I think it's a hoot."
Meanwhile,
drummer and companion Steve Coy has taken over the management and, having extricated the
band from Epic, has signed them to PWL. Far from being Pete Waterman's puppets however,
the band have complete artistic freedom. Rebel Rebel is their own work - something Bums is
keen to point out. "If they think it's shit after all that, that's fine, but as long
as they know I'm responsible."
But controversy
has already reared its head. Burns, annoyed by Bowie's "laziness" at writing
only two verses and repeating the first, wrote a third verse and sent it to Bowie's
management for approval Back came the message that Bowie would rather they didn't do the
song at all. Now TV programmers are wary about the accompanying video, a fast-moving,
inyour-face, cartoonish affair which shows Burns playing four different band members,
inspired by icons from Johnny Thunders to Dusty Springfield. Not for the first time, much
of the humour is being taken at face value. People still have a lot of misconceptions
about Pete Bums.
"I'm not stupid - I don't feel the need to screw myself up the bum with a dildo on
Top of the Pops for god's sake. But certain people think that that is my slant. People
have a Memory of me for being famous, but they're not quite sure what for. All they know
is that fame was snatched away from me, so I must have committed some heinous crime
against the media, or children, or... But I never did anything shocking."
You got the
record number of complaints for Top of the Pops!
"I didn't! I got complaints about my bloody bulge when I did That's The Way I Like
It. Divine got the record number of complaints - I was extremely jealous about that! But
no, obviously people thought I was disgusting and I got into bitching matches with people
like Boy George and his mother and stuff like that. The thing is, if you're good at
retaliating, people don't like you for it, because they know you've got the prizefighter's
punch."
But what if
this record is not a hit? Won't he then look like a desperate has-been? Typically, Bums
has his own highly individual slant.
"You're only a has-been when you give up! I'd love another hit record - but I'd love
a flop as well. I don't want to have this thing where you have a number one and then
everything's downhill. That was the main thing about You Spin Me Round that made me very
unhappy. Everything after it, in the eyes of the record company and the management was a
failure.
"But I can't take it that seriously anymore. I never really took it seriously for the
reasons people thought I did. They thought 1 was fame-hungry. Well, 1 hated the fame part
of it. But now 1 realise that, if the worst comes to the worst and you're famous, you can
always get in free and steal the peanuts and drink the champagne! That can happen, but 1
haven't sold my hole for rock'n'roll, and I really don't think 1 will.".
So who does he
see as the competition the boy bands?
"I wouldn't like anyone to see me as competing with the likes of Take That or East
17. Not that that's a bad thing - it ain't my market. I can't think of who is going to buy
my record. Whoever likes it, buys it. There's no rules."
What does he
think of Take That?
"I don't think about Take That. I've only just become aware of who Take That are,
because of the sheer volume of all the things they put out. Somebody showed me a Take That
live video - I was having a look at what was going on, which was against everything I said
I'd do. I can actually say, from what I can judge, they're really very good. But you know
what astounded me? They're on stage, nearly in the nude like the Chippendales, and they
get teddy bears thrown at them! I'd want knickers! I'd be gutted if I'd spent as long in
the gym and spent as much money on bronzer if I just got teddy bears, because I'd want
panties, pantyliners, g-strings, men flashing in the front row... It must be a funny
dilemma to be in.
"Try as you might to lump me in with these dance acts, I have got some ingredient
that they haven't got. I do think I deserve some kind of innings - I want to be in the
window display as well - I'm sort of the kooky sweater in C&A. I'm the weird string
vest with a pin in it. I hope the powers that be realise I'm not the most vile human being
that's walked the earth - I'm sure I'd pick up an old lady out of the gutter without
stealing her handbag, you know?"
But the powers
that be aren't the only ones making assumptions about Pete Bums. There's the subject of
his sexuality, for example.
"I don't categorise myself as straight, gay or bisexual: it's whoever or whatever at
the time. I'm not sitting on any fences but I don't feel like an active gay person looking
for a boyfriend, or an active straight person looking for a girlfriend. As far as I'm
concerned, I'm really lucky I don't have that problem.
"Believe me - my state [when younger] left me confused. On one hand, I thought I like
David Bowie and I like a bit of eye shadow so I must be a queer. Then I think, oh hold on,
I like that woman, she's really nice. But I like that fella as well. The big change in my
life was seeing David Bowie doing Starman on Lift Off with Ayshea, when he put his arm
round Mick Ronson. I had a genuine confusion over what gender I was supposed to be,
because I knew I loved make-up and female accoutrements but I didn't wanna be a woman. I
didn't want female genitalia.
"I've always been completely open. Sometimes when I'm dressing up I'll think fucking
bell, I've thrown all the rules out of the window and I don't look like a man. So I'll do
something - I always have to have the contradiction, even if it's only in my head. Like I
would never wear stockings and suspenders and high heels - if I was going to wear high
heels I'd wear it with a man's suit. I like the contradictions. I like that fact that I've
got tattoos. I like the fact I've got muscles. I'm very happy with all that. I'd be highly
alarmed if I suddenly sprouted breasts or had to have a vagina, because it's not something
that I want.
"In the time of the gender-benders, it was a fashion thing. Well, it's gone out of
fashion, and I'm still standing, so it must have some deeper connotation. It was never a
fashion for me, it never will be - it's a natural state of being.
"I've been very lucky in my unique situation. I've fallen in love with men and I've
fallen in love with women - no problem. And they've fallen in love right back, so it's
great. I've never had that heart-yearning thing of moping around after some muscle boy.
Homosexuality to me is not even a sexual issue - I've never really had to suffer those
issues."
Not even when
you were harassed on the street and workmen threw dirt at you and called you queer?
"It's nothing to do with homosexuality -it's just looking peculiar. People just say
things because they don't know what else to say. Obviously I look like I'm desperate for
attention or approval on the street - or at least that's the way workmen think I think.
They think I really want them to think I'm a girl and wanna shag me, and they just feel
they have to shout abuse and it's nothing to do with the sexual issue. They're just led to
believe that anything unusual must be a queer. But a queer doesn't mean stick it up your
bum - queer's just queer because it's odd. So I've never been a victim of that over sexual
issues, so I don't feel militant about it. I think that's as destructive as Garry Bushell
is - you know when they are like 'we're gay and fuck you, straights!' I read a magazine at
somebody's flat - I can't remember the name of the journalist - but he was writing an
article that was just as heterophobic as Bushell is homophobic.
"I know that the gay population make assumptions about somebody like me, because a
lot of them are like little old women, gossiping over garden fences. Their assumptions are
completely wrong, but they're more vocal, because they're loud and they're funny and
they'll crack a joke so you'll hear it. I've been seen out with people -because 1 know
male models - and people think: oh my god, Pete must be sleeping with him. Well, 1 wish!
But the gossip goes round, so 1 do hear the rumours. They're all wrong but it doesn't
bother me.
"I'd love to see somebody where my pants just go squib on the floor but it doesn't
happen. When it does, the world will be the first to know about it! But I got to know
everybody who I've ever been involved with before they got to play my piano. Because you
hang your bum out, it doesn't mean you want someone to stick something in it. And it
doesn't mean you want anyone to touch it - I don't mind people looking but don't touch.
It's like saying every woman that wears a miniskirt is asking to be raped. But I don't
even think that people like me get the same sort of sympathy."
So what kind of
impression of himself does he think will be created by the video?
"Well, I'm not going to come across as normal. What's Rebel Rebel about? What I do
there and what I do here are two very very different things. The only artist I can think
of off the cuff is Madonna and I'm sure that she doesn't roll around squelching her tits
every time she hears Like A Virgin at home. It's an act. It's something that you project,
and it's also what people want to see. What am 1 trying to portray? I've got a good sense.
of humour, I know that's what I'm trying to portray.
"I do have a real liking for people who go on telly and shock the nation, because
I've never done it but I'm treated as though I have. So in a way they're committing the
sins 1 never got to commit. I'm too sensible now to commit them but it's sort of like
voyeuristic pleasure."
How much do you
think you take after your mother?
"She was what most people would term eccentric but now I've had time to think about
her, she was actually really sane. She manufactured her own reality; she didn't want to
fit into everybody else's. She knew what was going on out there, and she made her choice.
I feel like that. 1 know what's going on out there - quite a lot of it isn't for me, so
this is my reality. I don't throw parties here, and people are not invited here either.
It's a private part of me. This is where I can really be myself."
And how would
you describe that self? What points would you like to get over about yourself`? Pete Bums,
what are you like?
"I'm somebody who believes in what they do, and I've got to the point and the age
where I will carry on doing what 1 want regardless, and if someone is going to try and
rain on my parade I'm not going to shrug and give up, or go home defeated in any way - be
it musically, socially, or sexually."
("ATTITUDE", by LAN CRANNA) |